YUNXUAN HUANG
黄韵璇
Hopscotch
个展《跳房子》
Exhibition View
展览记录
Is the discontinuity of truth in the image similar to the discontinuity of existence? When you stand at the instantaneous moment, the meaning of imagination from the future and experience from the past constitute the present narrative, it fills the emptiness and uncertainty of the coming future and embeds the motivation of existence. Instantaneous, in the linear and time measurement of life, we divide the experience of individual moments and narrative it into sequences.
This exhibition revolves around the continuous state of the passage of time and the jump and permanence of memory. The entire process is looking back to the state of childhood, it presents the perception of growth, the connection of family, and the internal contradiction of oneself. The video works wandering and watching in a suspended state, and record the amusement groups at different time stages of their life course in the public square space. The paintings carry out diary self-exploration with an intuitive and instinctive methodology by regaining the internalized childhood art training; The painting itself grows in improvisation and uncertainty. It uses the concept of time in the moving images to paint. The final picture reflects the current moment that won’t repeat and the secret thoughts without thinking.
图像中真相的不连续性与存在的不连续性相似吗?当你站在某个瞬间,来自未来的想象和来自过去的经验的意义构成了在场的叙事,它填补了未来的空虚和不确定性,并嵌入了存在的动机。瞬间,在生命的线性和时间测量中,我们将个体瞬间的经历划分成序列并加以叙述。
本次展览环绕着时间流逝的绵延状态和记忆的跳跃与永存,通过对童年的追溯,呈现对成长的感知、家庭的联结与自我内在矛盾。影像作品在一种悬置状态中游走旁观,记录在公共广场空间中处于生命历程不同时间阶段的游乐群体。绘画通过重拾内化的孩童时期的美术训练,用直觉和本能的方法进行日记式自我探索;绘画作品自身在即兴和不确定性中生长,用动态影像中的时间观进行绘画行动,最后呈现的画面映射出不可复制的当下时刻和未经思考的隐秘思绪。
Exhibition View
展览记录
Post-H/后-ren
Super light clay,SAP,PVC Mixed-Media, 70x70cm2021
超轻黏土,吸水树脂,充气垫,综合媒材 70x70cm 2021
Space Noah/《太空诺亚》
Mixed Media, 60x45cm, Clay, Quartz Sand, PVC, 2021
综合材料雕塑(局部), 60x45cm, 陶泥,玩具沙,充气垫
Here is a safety boat.
这有一艘安全船。
The Earthly Paradise 1
《尘世即乐园》1
The Earthly Paradise 2
《尘世即乐园》2
The Earthly Paradise 3
《尘世即乐园》3
The Earthly Paradise, 4-Channel Video Installation, 2021
Culture has occurred and developed as play in play.
—— Johan Huizinga Homo Ludens
The intercommunity visual symbols in public amusement facilities have always attracted me. The video is about the fragment moments shot by me as a ‘Digital nomad' in various places in the past two years. The square as a leisure and amusement place is open and invited. I was in that space at that time, but the things it contained made me unable to intervene.
The Earthly Paradise, 4-Channel Video Installation, 2021
视频静帧
《尘世即乐园》四频道视频装置
“文明在游戏中诞生,文明就是游戏”
—— 赫伊津哈《游戏的人》
公共游乐设施中具有共通性的视觉符号一直持续地吸引着我,视频关于过去两年来我作为“数字游民”在各地记录下的碎片瞬间,作为休闲游乐场所的广场是开放的、邀请的,我彼时身处空间之中,它所包含之物却使我不能介入。